Art Taylor

A well-known jazz and free jazz musician from New York, Art Taylor, has a substantial discography of timeless hits. A soulful and moving classic, "Lush Life" highlights Taylor's drumming talent. His use of rhythm and melody in the song is evidence of his prowess as a percussionist. The song "Hey Now" is another example of how Taylor can control the beat of a song. This track stands out in his repertoire due to the lively speed and complex percussion patterns.

The lovely song "Like Someone in Love" showcases Taylor's deft touch on the drums. His delicate and subtle playing nicely accentuates the song's sultry melody. Jazz standard "Moonlight in Vermont - Hip Harp, 1958" has been performed by numerous musicians, but Taylor's rendition stands out for its complex drumming rhythms and solid rhythm section. The bright and vivacious song "I Love You" highlights Taylor's deft swinging abilities.

Playful and upbeat, "Dancing in the Dark - Hip Harp, 1958" showcases Taylor's explosive drumming and rhythmic collaboration with the other performers. The bluesy and soulful song "Trane's Slow Blues" gives Taylor the chance to display his expressive and very passionate drumming. Taylor's quiet and unobtrusive drumming is heard in the exquisite ballad "There's a Small Hotel - Hip Harp, 1958".

The track "I Hear a Rhapsody" is hauntingly beautiful and demonstrates Taylor's drumming's capacity to produce a complex and nuanced atmosphere. Overall, Art Taylor's well-known songs are evidence of both his prowess as a drummer and his capacity to write dynamic, captivating music that endures.

New York-born jazz and free jazz musician Art Taylor has put out a number of noteworthy recordings over the course of his career. "The Greatest Jazz Albums of 1957, Vol. 9," one of his most recent albums, was released in 2020. On this album, a variety of musicians—among them Art Taylor—display their musical prowess in a selection of jazz standards. Jazz music lovers should not miss this record, which honors Art Taylor's contribution to the style.

"Johnny Griffin/Art Taylor In Copenhagen," a 1998 CD from Art Taylor, is another important entry in his repertoire. The record documents a live concert by Art Taylor and tenor saxophonist Johnny Griffin in Copenhagen. Their distinct improvisational technique and musical chemistry are showcased throughout the album. Jazz enthusiasts will like the passion and energy reflected on this album.

Another album worth noticing is "A.T.'s Delight". The record, which was initially released in 1960, underwent a remastering process for the Rudy Van Gelder Edition in 2006. The album highlights Art Taylor's distinctive style and remarkable drumming abilities. The CD shows evidence of Art Taylor's musical range and his capacity to produce enduring jazz.

Art Taylor's discography serves as a monument to his impact on the jazz genre as a whole. His recordings demonstrate his individual style and drumming prowess. Check out his most recent CD, "The Greatest Jazz Albums of 1957, Vol. 9," as well as his earlier albums, such as "Johnny Griffin/Art Taylor In Copenhagen" and "A.T.'s Delight."

Art Taylor worked with several musicians throughout his career, but his most notable partnerships were with Paul Chambers on the songs "O Know Why" and "Hey Now," as well as with Dorothy Ashby and Frank Wess on the album "Hip Harp, 1958."

Taylor and the bassist Chambers forged a long-lasting friendship. The two frequently performed together, and their performances were usually excellent. On "O Know Why" and "Hey Now," Taylor's drumming and Chambers' bass playing created a seamless, lyrical, and rhythmic sound.

The collaborations on "Hip Harp, 1958" with Ashby and Wess were equally remarkable. Wess played the saxophone and the flute, while Ashby played the harp. Wess' flute and Ashby's harp combined to produce a distinctive sound that was both calming and energizing. The duo's musicianship was wonderfully complemented by Taylor's drumming, which gave the songs more depth and intricacy. Some of the album's best songs included "Moonlight in Vermont," "Dancing in the Dark," and "There's a Small Hotel."

The most influential projects of Art Taylor's career were those he worked on with Paul Chambers, Dorothy Ashby, and Frank Wess. These partnerships exhibited Taylor's ability and versatility while also influencing the style of jazz and free jazz.