Colliding With Mars

Fans adore a number of the songs that Colliding With Mars, an indie pop musician from Manila, Philippines, has created. One of their most well-known songs, "Keia," has energetic, enticing rhythms and lyrics that appeal to the listener's emotions. With its moving lyrics and realistic message about overcoming challenges and standing up for oneself, "My Mom Doesn't Believe in Me" is another fan favorite.

"Hurt Your Lover," another well-known song by Colliding With Mars, is a hauntingly lovely tune that displays the artist's vocal range and emotional range. Another great track is "The Cutest Girl in Hell," which has energetic, danceable rhythms and witty, unusual lyrics that are guaranteed to make people smile. Another outstanding tune with a strong hook, "Liplock" will have fans singing along.

On some of their most popular songs, including "Eighty-Five," which includes Atwood, Ryce, Garrett, and planet girl, Colliding With Mars has worked with other musicians. This song is a superb illustration of the musician's skill at fusing several styles and sounds into a distinctive, well-rounded composition. Another outstanding collaboration that highlights the artist's breadth and versatility is "I Hope Ur Doing Well," which features Colliding With Mars.

Last but not least, "How to Stop Feeling Inadequate" and "No One Likes It When I'm Sad" complete the list of Colliding With Mars' most well-known songs. Both songs include reflective lyrics and enduring melodies that will appeal to listeners. Overall, Colliding With Mars has made a name for itself in the indie pop industry, and their music will undoubtedly continue to move and enthrall listeners for years to come.

Recently, Colliding With Mars has been active in releasing new music. In addition to "FABLED TORTOISE," their most recent song, "LIGHTBRINGER," was released in 2021. Both songs exhibit the group's distinctive fusion of pop and indie pop music, creating a sound that is both catchy and reflective. While "FABLED TORTOISE" has a more energetic sound with vibrant guitar riffs and a driving pace, "LIGHTBRINGER" has dreamy synths and soaring vocals.

The singles "TWILIGHT PRINCESS" and "VIOLENCE" were released by Colliding With Mars in 2020. A melancholy ballad called "TWILIGHT PRINCESS" exemplifies the band's talent for creating deeply felt music. While "VIOLENCE" features glitchy beats and distorted voices, it has a more experimental tone.

Overall, Colliding With Mars is pushing the limits of pop and indie pop music while producing distinctive and memorable songs that will linger with listeners. We are eager to hear what the band comes up with next because their most recent singles demonstrate how they are continually developing and experimenting with new sounds.

A pop and indie pop musician from the Philippines named Colliding With Mars has worked with many other musicians during their musical career. Atwood, Ryce, Colliding With Mars, Garrett, and Planet Girl collaborate to create the soundscape for the song "eighty-five (feat. Atwood, Ryce, & planet girl)". This song demonstrates the artist's talent at fusing many sounds and musical genres to create a fresh and exciting musical experience.

Savage Ga$p is featured on the song "i hope ur doing well (feat. Colliding With Mars)," which demonstrates his talent for working with other musicians to produce an impactful and moving song. Aldrch and Ty Lorenzo are featured in the song "letters," which combines their melodies and vocals in a stunning and harmonious way. These partnerships highlight Colliding With Mars' capacity to collaborate with different musicians and produce music that is both inventive and distinctive.

Elijah Who is featured in the song "stay inside / running," which has a dreamy and ominous ambiance. The artist's ability to produce a seamless, flowing musical experience that carries the listener to a different planet is on full display in this collaboration. Overall, Colliding With Mars's collaborations demonstrate their artistic breadth and capacity to produce music that is both original and distinctive.