Claudio Constantini

Jazz & Jazz Fusion artist Claudio Constantini from Peru has become well-known for his avant-garde style. Among his most well-known songs are "Alone," "Piazzojazz," and "Estampes, L. 100: No. 1, Pagodes." The last track is a gem that displays Constantini's distinctive fusion of Jazz and Classical influences.

"Chau Paris," another standout track, has a more conventional jazz sound blended with Latin rhythms. The tune "Ballade, L. 70" is hauntingly lovely and showcases Constantini's accordion expertise. The outstanding track "Nocturne" is another example of his mastery in fusing jazz sensibilities with classical music.

Dreamy waltz "Valse Romantique" showcases Constantini's deft piano playing. He has adapted a classical composition, "Orchestral Suite in D Major, BWV 1068: II. Air," for a jazz band, displaying his mastery in fusing several musical styles.

In general, jazz and jazz fusion aficionados should listen to Constantini's work. His distinctive sound and creative approach to fusing genres set him apart from the competition.

The jazz and jazz fusion musician from Peru, Claudio Constantini, has been surprising his audience with new songs. His most recent CD, "BACH" (2023), features songs like "Air on a G String" and "Goldberg Variations" that highlight his distinctive fusion of jazz and classical music. The CD is an absolute gem and evidence of his talent.

The singles "Mysig," "Smiling Backwards," "Bandoneon Concert, Op. 308: III. Calmo e Inmovil," and "Bandoneon Concert, Op. 308: II. Sendero de Milongas que se Bifurcan" were all published by Constantini in 2023. Each song in these singles has a unique tone and vibe, showcasing his ability to express emotions via music.

"Incandessence," an album by Constantini that includes songs like "Luminous," "Radiant," and "Glowing," was published in 2022. Each song on the CD, which is a lovely fusion of jazz and electronic music, tells a different narrative. He published "Piano Cosmos (vol.2), Nine Tango Preludes" in 2021, which showcases his original interpretation of Tango music.

All things considered, jazz and jazz fusion fans should listen to Constantini's work. He has established a sound all his own by fusing classical, jazz, and electronic music in a singular way. His most recent works, such as "BACH" and his singles, are evidence of his ongoing development as a musician.

Over the years, Claudio Constantini has worked with a variety of musicians, but two of his most notable partnerships are "Tres minutos con la realidad" with Astor Piazzolla and "Chau Paris" with Astor Piazzolla and Ksenija Sidorova. Constantini shows off his accordion prowess in "Chau Paris," while Piazzolla and Sidorova, playing the bandoneon and classical accordion, respectively, add a level of complexity to the melody. The end result is a stunning musical mix of jazz, classical, and tango that is intriguing and emotionally engaging.

The accordion and piano are combined in Constantini and Piazzolla's fascinating, lyrical composition "Tres minutos con la realidad," which is another outstanding collaboration. The harmony between the accordion and piano creates a lovely mix of rhythm and melody.

Although Constantini also worked with Claude Debussy on a number of compositions, such as "Estampes, L. 100: No. 1, Pagodes," "Ballade, L. 70," and "Nocturne," the works with Piazzolla and Sidorova stand out for their distinctive fusion of jazz, tango, and classical music. Overall, Constantini's musical partnerships with other musicians have given him the freedom to experiment with a variety of genres and styles, producing a rich and outstanding body of work.