Bojan Čičić

Recognized Croatian classical and chamber music performer Bojan Čičić has mesmerized listeners with his extraordinary talent and command on the recorder. "Solomon HWV 67: The Arrival of the Queen of Sheba" stands out among his best songs as a lively and energizing piece that exemplifies his flexibility. Another standout tune is "Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie," where Čičić's recorder playing gives this timeless composition a special and enjoyable touch.

Listeners are still spellbound by Čičić's performances of masterworks from the Baroque era. His performance of "Oboe Concerto in D Minor, BWV 1059R: 1. Allegro" reveals his mastery of the instrument as well as his capacity to interpret the complex emotions of the music. He further exhibits his virtuosity and musicality on the recorder in the vivacious and exciting "Recorder Concerto in F Major: 2. Siciliano".

Čičić's performances of well-known songs are compelling, but he also excels at less well-known songs. His ability to breathe new life into lesser-known compositions with his expressive and subtle playing is best demonstrated in "Scherzi da Violino Solo, No. 2: Sonata in C Major: IV. Allegro I". Gaiement's lovely "Recorder Concerto in C Major, Op. 17, No. 1: Gaiement" is another charming example of how he can highlight the recorder's brilliance in a chamber music context.

Bojan Čičić's success as a classical and chamber musician is demonstrated by his outstanding performances and his capacity to give both well-known and lesser-known compositions new life. His masterful performances of numerous songs, such as "The Arrival of the Queen of Sheba" and "Badinerie," highlight his brilliance and musicianship and leave a lasting effect on listeners all over the world.

Croatian classical and chamber music artist Bojan Čičić has been enthralling audiences with his most recent songs and CDs. 'La Notte: Concertos & Pastorales for Christmas Night (2022)' is one of his most recent albums, and it demonstrates his mastery of the violin as well as his ability to bring out the beauty and emotion in each work. 'Johann Jakob Walther: Scherzi da violino solo (2022)' is another noteworthy recording, and it showcases Čičić's talent in these solo violin pieces. The compilation of fierce and passionate songs from Italy's rich musical legacy, "Pyrotechnia: Fire & Fury from 18th Century Italy (2021)," should also not be forgotten.

Bojan Čičić has also released a number of engaging singles in addition to his albums. Sonata 'Pastorella': I. (2022) is a prime example of his mastery in weaving complex melodies and evoking a captivating atmosphere. Čičić's ability to analyze and bring to life historical works is demonstrated in another single, "Minoritenkonvent Wien, MS XIV.726, No. 87: Sonate "Wie schon leuchtet die Morgenstern": I. Contrapunct sopra la Bassigaylos d'Altr. (2022)." Sonata No. 10 'Pastorella' for 3 Violins and Basso Continuo: I. Vivace (2022) is an example of his versatility and capacity for working with additional players. As a last example, his violin playing in "Concerto for Violin and Strings, RV 104 in G Minor "La notte": I. Largo (2022)" demonstrates his capacity to communicate strong emotions.

The most recent songs and music CDs by Bojan Čičić show his development as a musician and his dedication to discovering many musical genres. He never ceases to enchant audiences with his musicality and enthusiasm through his deft interpretation and fascinating performances. Watch this space for more captivating songs from this gifted Croatian artist.

Croatian classical and chamber music performer Bojan Čičić has graced a number of famous venues and festivals over the course of his career. At the Edinburgh International Festival, he gave one of his most memorable performances and mesmerized the crowd with his virtuosity violin playing and profound musical expression. Another notable performance was at Wigmore Hall, where the audience was profoundly affected by his delicate interpretation and flawless execution.

Čičić has further cemented his image as a renowned performer in the classical music industry by showcasing his talent at Muziekgebouw aan 't IJ and West Road Concert Hall in addition to these outstanding performances. These locations offered the ideal conditions for his subtle performances, enabling his music to profoundly connect with the audience.

Bojan Čičić has continually impressed music reviewers and fans alike with his outstanding performances at renowned festivals and venues throughout his career. Čičić has established himself as a masterful interpreter of classical and chamber music with his fascinating performance at the Edinburgh International Festival and his spellbinding appearances at Wigmore Hall, Muziekgebouw aan 't IJ, and West Road Concert Hall. His talent for music and unwavering devotion to his profession keep him in demand as a performer in the classical music community.

Talented Croatian classical and chamber pianist Bojan Čičić has created some incredible musical works in collaboration with other musicians. One noteworthy collaboration is on George Frideric Handel's "Solomon HWV 67: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra)" by Lucie Horsch and the Academy of Ancient Music. This performance highlights Čičić's extraordinary recorder abilities, along with virtuoso orchestral playing from Horsch and the Academy of Ancient Music.

Their rendition of Johann Sebastian Bach's "Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder)" is another impressive example of their creative partnership. Horsch's musicality, the Academy of Ancient Music's accuracy, and Čičić's expressive recorder playing come together to provide a mesmerizing performance of this classical masterpiece.

Despite the importance of each of the listed collaborations, these two stand out because of the amazing chemistry between the artists. These classical pieces are given fresh life by the skilled musicianship and the delicate interplay between the recorder and the orchestra.

Along with these projects, Čičić has also collaborated with Horsch and the Academy of Ancient Music on other works, including Lucie Horsch's "Recorder Concerto in F Major: 2. Siciliano" and Johann Sebastian Bach's "Oboe Concerto in D Minor, BWV 1059R: Oboe Concerto in D Minor, BWV 1059R: 1. Allegro (Performed on Recorder). Additionally, they demonstrate their capacity to elicit strong emotions through their musical collaboration in their performance of Henry Purcell's "Dido and Aeneas, Z. 626 / Act 3: 'When I am laid in earth' (Dido's Lament) (Performed on Recorder)".

Finally, Bojan Čičić's collaborations with Lucie Horsch, the Academy of Ancient Music, and others on a variety of classical works showcase their exceptional talent and musical mastery. Their fresh interpretations give these classic works new life, enthralling listeners with their outstanding artistry.