Bengt Ollen

Bengt Ollen has made a significant mark in classical and choral music. His works resonate well with audiences, showcasing a blend of traditional and unique elements. Notable tracks include “Trilo,” which captures a certain charm, drawing listeners in with its melodic structure.

Another highlight is “Ett svenskt juloratorium, Pt. 2 'Julevangelium': No. 22, Intermezzo.” This piece offers a reflective moment, inviting contemplation. Similarly, “Ett svenskt juloratorium, Pt. 2 'Julevangelium': No. 26, I en dröm blev de sedan tillsagda” and “No. 36, I en dröm blev han tillsagd” continue the theme of storytelling through music. Additionally, “Three Shakespeare Songs: No. 2, Under the Greenwood Tree” adds a poetic touch, bringing Shakespeare’s words to life through choral harmonies.

These tracks, among others, contribute to Ollen's reputation in the world of classical music, appealing to both fans of the genre and newcomers alike.

Bengt Ollen's latest album is "In paradisum," released in 2019. This collection features a range of choral works, showcasing his ability to blend traditional forms with contemporary elements. The tracks invite listeners into a reflective space, with each piece presenting its own narrative through music.

In 2024, Ollen released a single titled "Clive Osgood: Three Shakespeare Songs." This work draws inspiration from Shakespeare's texts, highlighting the intersection of classical music and literature. The song captures the essence of the Bard's themes while maintaining a distinct musical identity.

Prior to these releases, Ollen presented "Förvårskväll" in 2014 and "Fredrik Sixten: Ett svenskt juloratorium" in 2012. Each project contributes to his ongoing exploration of choral music, continuing to engage audiences with thoughtful compositions.

Bengt Ollen has engaged in notable collaborations, particularly with Clive Osgood and the Sofia Vokalensemble. One significant track is “Three Shakespeare Songs: No. 2, Under the Greenwood Tree,” which highlights the blend of Ollen’s choral arrangements with Osgood’s direction. Their work together captures the essence of Shakespeare's text while allowing vocal harmonies to flourish.

The collaboration with Sofia Vokalensemble brings a unique depth to this piece. Their vocal precision and interpretation enhance the overall experience, creating a rich soundscape that resonates with audiences. This partnership exemplifies how Ollen’s compositions can bridge classical traditions with contemporary interpretations, making them accessible to a wider audience.

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