Ashbury Heights

A Swedish electronic and downtempo music duo called Ashbury Heights has been making waves in their field with their distinctive sound. "Phantasmagoria," "Spiders," "SmAlLeR," "Glow," and "Headlights" are some of their best songs. "If You're Shooting with the Left It Means the Right Side Is Working," "Spectres from Black Moss," "Waste of Love," "Christ," and "Masque."

With its eerie melody and unsettling lyrics, "Phantasmagoria" stands out as a noteworthy track. The listener is drawn in and is left with a strong impression by the song's surreal character. With its contagious pace and memorable chorus, "Spiders" is another standout track. Dark lyrics and an unsettling music combine to make for a distinctive listening experience.

Other songs by Ashbury Heights demonstrate their musical variety and breadth. The slower, more reflective single "SmAlLeR" demonstrates their ability to evoke a feeling through music. The peppy, danceable song "Glow" is guaranteed to get fans moving. With its stirring words and upbeat music, "If You're Shooting with the Left It Means the Right Side Is Working" stands out.

Overall, the electronic and downtempo music scene should keep an eye out for Ashbury Heights. They distinguish themselves from the competition with their distinctive sound and capacity to evoke a feeling through music. Downtempo and electronic music lovers ought to give them a try.

The Swedish duo of electronic and downtempo music known as Ashbury Heights has been consistently producing new music over the past few years. Their most recent album, "The Victorian Wallflowers," came out in 2018 and has received accolades for its distinctive fusion of joyful rhythms and depressing melodies. There are songs on the CD include "We Will Never Die," "Glow," and "Firebird."

Ashbury Heights issued a number of singles in 2021 and 2022, among them "Cutscenes," "Is That Your Uniform," "High and Low (Ashbury Heights Remix)," and "A Cut in a Place." The band's ability to experiment with various sounds while maintaining their own sound is demonstrated by these singles. These albums have received high appreciation from fans for their memorable melodies, eerie lyrics, and ethereal soundscapes.

Overall, Ashbury Heights' most recent releases continue to push the limits of the Electronic and Downtempo genres. Their music is an original fusion of grief and hope, light and dark. The band continues to establish themselves as one of the most interesting and cutting-edge acts in the genre with each new release.

The Swedish electronic and downtempo duo Ashbury Heights has performed at a number of prestigious events and locations. They are a well-known act in the electronic music field thanks to the positive reception their music has gotten from both critics and listeners.

M'era Luna and NCN Festival, two renowned electronic music events, are just two of their major festival appearances. They have also given performances at other festivals, leaving spectators with enduring impressions. The pair is a must-see act at any festival because of their strong stage presence and high energy live performances.

As well as some of the best electronic music venues, such as Nachtleben, Headcrash, and Pipeline, Ashbury Heights has also played there. These locations are renowned for their excellent sound systems and cozy ambiance, which make them the ideal settings for the duo's music. Both fans and music critics have given them favorable reviews for their performances in various spaces.

Overall, Ashbury Heights' distinctive sound and fascinating performances have solidified their position in the electronic music world. Their performances at events and festivals have enhanced their standing as a prominent act in the genre.

The Sundsvall, Sweden-based electronic/downtempo music group Ashbury Heights has worked with other musicians to produce some of their most well-known songs. One of their projects included collaborating with Madil Hardis on the song "A Cut in a Place." Along with the distinctive electronic sound of Ashbury Heights, this song showcases Hardis' strong vocals. The end result is a melancholic and stirring song that highlights both performers' best qualities.

Massive Ego and I also worked brilliantly together on "One Trick Pony." Compared to some of Ashbury Heights' earlier tracks, this one has a more lively and danceable mood while yet maintaining the group's distinctive electronic sound. The music becomes a fan favorite as a result of Massive Ego's addition, which gives it a hint of punk-inspired attitude.

"Marsheaux" also reworked the Ashbury Heights song "Smile," giving the already excellent track their own special touch. The remix successfully combines Ashbury Heights' electronic vibe with Marsheaux's distinctive synthpop sound.

Collectively, Ashbury Heights' projects with Madil Hardis, Massive Ego, and Marsheaux have produced outstanding songs that highlight the talents of both sides. Some of Ashbury Heights' most cherished songs have been made available to fans as a result of these collaborations, which have also helped the band broaden their audience and sound.