Ariane Maurette

Ariane Maurette has captured attention with a selection of engaging pieces. Among her most notable tracks is “Pièce en sol, Livre 4: La quinson,” which showcases her ability to blend melody with intricate rhythms. The piece flows smoothly, inviting listeners to appreciate its structure. Another standout is “Psaume 23: Mon Dieu me plaist sous sa puissance baute,” a work that resonates with spiritual undertones and offers a reflective experience.

Other tracks like “Pièce en ré, Livre 5: Sarabande dernière suite iième sonate à deux violes” and “Il primo libro di canzone, sinfonie, fantasie: Folias echa para mi Senora Dona Tarolilla de Carallenos” further round out her repertoire. Each piece contributes to a varied listening experience, highlighting her skill in both classical and chamber music. Through these selections, Ariane Maurette continues to engage audiences with her unique interpretations and musical insights.

Ariane Maurette's latest album, *The Faces of Melancholy - Ayres both Grave and Light for Viols or other Musicall Instruments*, released in 2020, features a blend of somber and light compositions. This work reflects her focus on the viola da gamba, exploring a range of emotions through its unique sound. Within the album, tracks like "Ayres Grave" and "Ayres Light" showcase her ability to convey deep feelings with simplicity.

Earlier works include *Canzone, Sinfonie & Fantasie* from 2011, which presents a variety of chamber music pieces that highlight both intricate arrangements and the interplay of instruments. Additionally, *Caix d'Hervelois: Pièces de viole* (2005) offers an exploration of historical pieces, providing listeners with insight into the music of the past while maintaining a contemporary resonance. Each album presents a different facet of her artistry, inviting listeners to engage with the depth and nuance of her music.

Ariane Maurette's collaborations with Fuoco E Cenere highlight her versatility in chamber music. One notable track is “Pièce en sol, Livre 4: La quinson.” This piece showcases a blend of intricate melodies and harmonies, effectively bringing out the unique qualities of both Maurette and the ensemble.

Another significant collaboration is “Pièce en ré, Livre 5: Sarabande dernière suite iième sonate à deux violes.” Here, the interplay between Maurette and Fuoco E Cenere creates a rich tapestry of sound. The dialogue between the instruments allows for a dynamic exploration of rhythm and texture. These collaborations illustrate a commitment to pushing musical boundaries while maintaining an engaging listening experience.