Antonio Salieri

Antonio Salieri composed several notable works that continue to resonate with audiences. Among his prominent pieces is “Sinfonia in D Major, 'La Veneziana'.” The second movement, “II. Andantino grazioso,” showcases a graceful flow, while the lively “III. Presto” captures a different energy entirely. The first movement, “I. Allegro assai,” sets a dynamic stage for the entire symphony.

Other significant compositions include “Allegretto in D Major, IAS. 34,” and the expressive “Salieri: Concerto for Flute and Oboe in C Major: II. Largo.” His choral work “Justorum animae” stands out for its emotional depth. Additionally, “Prima la musica e poi le parole: Sinfonia” and “26 Variations on 'La folia di Spagna' in D Minor” demonstrate his mastery of variation and orchestration.

With a range of musical forms, Salieri’s work includes operatic pieces like “Armida: Sinfonia in Pantomima” and lively movements such as “Allegro assai.” Each piece reflects his skill in crafting melodies that linger in the mind long after listening.

Antonio Salieri's latest album, "The Essential Slovak Radio Symphony Orchestra (2025)," features a range of orchestral works that highlight his contributions to classical music. Another notable release is "Salieri: Complete Works for Harpsichord & Piano (2025)," which offers a thorough exploration of his compositions for these instruments, showcasing his versatility. Additionally, "Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 (2025)" presents an interesting blend of Salieri's work alongside Mozart's, reflecting their historical context and collaboration.

On the single front, “Salieri: Cublai, gran kan de' Tartari: Terzetto. Olà, Cublai (Memma, Bozzone, Cublai) (2025)” stands out with its engaging vocal interplay. The “Cublai, gran kan de' Tartari: Sinfonia (2025)” also adds to the discussion of Salieri's orchestral style. While earlier works like "Mass at Organ in D major, IAS. 24 (2018)" and "Ouvertures, Scherzi, Divertimenti (2006)" continue to receive attention, these new releases further expand the appreciation of Salieri's music.

Antonio Salieri's collaborations present a range of significant works. One notable piece is "Salieri: Concerto for Flute and Oboe in C Major: II. Largo," performed with Claudio Scimone, Clémentine Hoogendoorn Scimone, and Pietro Borgonovo. This collaboration showcases the interplay between the flute and oboe, highlighting Salieri's skill in combining different instruments.

Another important collaboration is "Salieri: Prima la musica e poi le parole: Sinfonia," featuring Nikolaus Harnoncourt and the Royal Concertgebouw Orchestra. This work reflects Salieri's ability to blend orchestral textures with clear melodic lines. Each collaborator brings their expertise, contributing to the overall impact of Salieri's compositions.

The piece "Mass No. 1 in D Major 'Emperor Mass': I. Kyrie," performed by Uwe Christian Harrer, adds depth to Salieri's choral works. This collaboration emphasizes the solemnity and structure of the mass, showcasing the composer's talent in sacred music.

These collaborations illustrate Salieri's versatility and his connections within the classical music community.