Anthony de Mare

Anthony de Mare is a well-known classical and chamber musician from the United States, and his discography is known for its wide variety of songs. The Banshee, De Profundis, New York Waltzes: I. Waltz in C, Statue of Liberty (arr. D. McIntire and A. de Mare), Urban March (Shadow) (arr. A. de Mare), and Sunflower Sutra are some of his best-known songs.

The hauntingly lovely song "The Banshee" is a display of de Mare's superb piano abilities. It draws listeners into a world of ethereal sounds with its hypnotic melodies and complex harmonies. "De Profundis" explores the depths of human emotions, inspiring reflection and introspection. It makes a mark on the listener's soul with its moving tones.

The charming song "New York Waltzes: I. Waltz in C" is a tribute to the exciting spirit of New York City. The vibrant rhythms and upbeat tunes perfectly portray the bustling streets and energetic spirit of the city. Both "Statue of Liberty" (arr. D. McIntire and A. de Mare) and "Urban March (Shadow)" (arr. A. de Mare) are excellent examples of de Mare's versatility as an artist, since each of these well-known compositions is expertly arranged while incorporating his distinct musical style.

Last but not least, the piece "Sunflower Sutra" combines classical and chamber music elements in a pleasing way. The listener is taken on a mesmerizing journey by its rich melodies and intricate harmonies, which create a vibrant musical world.

Anthony de Mare's concerts continue to enthrall audiences with his tremendous repertoire and unique musical approach. His music resonates with listeners and leaves a lasting impression of his creativity and artistry. It ranges from hauntingly beautiful compositions to energizing and lively arrangements.

Anthony de Mare, a Classical and Chamber Music artist from the United States, published his most recent album, 'Liaisons: Re-Imagining Sondheim From The Piano,' in 2015. This album highlights de Mare's distinct approach to Sondheim's music, as he interprets and reimagines the legendary composer's songs via the lens of the piano. De Mare provides a fresh perspective to these classic tunes with a riveting blend of talent and skill, producing a compelling musical experience.

In addition to 'Liaisons,' de Mare has two additional important albums. 'Speak,' released in 2010, exemplifies de Mare's versatility as a pianist, covering a variety of modern compositions for the piano. This CD demonstrates de Mare's ability to attract audiences with passionate and subtle performances.

'Wizards & Wildmen - Piano Music of Charles Ives, Henry Cowell, and Lou Harrison', released in 2007, is another notable album in de Mare's discography. This album includes compositions by two famous American composers, which de Mare skillfully brings to life on the piano. De Mare highlights the beauty and complexity of these compositions with his technical brilliance and deep comprehension of the music.

Anthony de Mare continues to captivate audiences with his unique interpretations and captivating performances, as evidenced by his latest album 'Liaisons: Re-Imagining Sondheim From The Piano' and previous works such as 'Speak' and 'Wizards & Wildmen - Piano Music of Charles Ives, Henry Cowell, and Lou Harrison'. His skill and dedication to his profession have established him as a talented and respected performer in the Classical and Chamber Music genres.

American classical and chamber music performer Anthony de Mare has made numerous noteworthy appearances at festivals over the course of his career. At the famous Royce Hall, he gave one of his most important performances. Royce Hall, renowned for its splendor and superb acoustics, served as the ideal venue for de Mare's mesmerizing piano presentation. It was a genuinely remarkable evening thanks to his masterful technique and emotional interpretation, which enthralled the audience.

De Mare has graced several more places in addition to Royce Hall with his musical prowess. His appearances at prestigious concert venues like Carnegie Hall and Lincoln Center have won him praise from the critics and enhanced his standing as a pianist of the highest caliber. These renowned locations offered de Mare the perfect stages on which to display his extraordinary talent and mesmerize spectators.

De Mare has made notable appearances at festivals as well. He has taken part in prestigious festivals like the Tanglewood Music Festival and the Aspen Music Festival. These festivals, which are renowned for their celebration of classical music and for bringing together top musicians, gave de Mare the chance to work with other accomplished musicians and display his versatility in chamber music concerts.

Overall, Anthony de Mare's participation at prestigious festivals, as well as his performances at halls like Royce Hall, Carnegie Hall, and Lincoln Center, have cemented his position as a leading figure in the world of classical and chamber music. Wherever he plays, his talent and commitment to his profession continue to fascinate audiences and make an impact.

American classical pianist Anthony de Mare has performed alongside a number of eminent players in a variety of musical genres. The songs "De Profundis" by Frederic Rzewski, "Statue of Liberty" (arr. D. McIntire and A. de Mare) by Laurie Anderson, and "Urban March (Shadow)" by A. de Mare with Meredith Monk are among his most significant musical collaborations.

Frederic Rzewski's stirring composition "De Profundis" features de Mare's superb piano playing. The two artists' teamwork produced a spellbinding performance that perfectly conveys the piece's emotional depth. De Mare and Rzewski work together to bring the piece to life, displaying its complex melodies and rich musicality.

Another noteworthy project is Laurie Anderson's "Statue of Liberty" (arr. D. McIntire and A. de Mare). This arrangement turns Anderson's original music into a mesmerizing piano performance. De Mare's piano performance of the work demonstrates his ability to interpret Anderson's distinctive artistic vision, resulting in a captivating and moving musical experience.

De Mare and Meredith Monk also worked together to arrange "Urban March (Shadow)." The piano and Monk's distinctive vocal delivery are combined in this recording, creating a seamless synthesis of sound and expression. De Mare's piano prowess combines with Monk's unique musical vocabulary to produce a compelling and avant-garde performance.

These collaborations showcase Anthony de Mare's musical flexibility and his capacity to work with musicians from many genres. De Mare has pushed the frontiers of classical and chamber music through these collaborations, developing distinctive and enthralling musical experiences.