Shama Ashna

Afghani musician Shama Ashna is well-known for playing Arabic and Middle Eastern folk music. She has a number of popular songs, including "Gham Jora Wam" and "Rasha Mama Joway De Lewanay De." The former song, which features Ashna's vocal range and is soulful and emotive, while the latter, which is bright and vibrant and guaranteed to get people moving.

Ashna has published numerous other songs that have become successful in the Middle Eastern music field in addition to these two well-known songs. While "Da Zra Qarar" is a melancholy ballad that accentuates Ashna's vocal range, "Mast Ranga" is an upbeat melody that makes use of traditional Afghan instruments like the harmonium and tabla.

Due to her skill at fusing traditional and contemporary sounds, Ashna has become a favorite among listeners of Middle Eastern and Arabic folk music. Her music is a true expression of the rich cultural history of Afghanistan. Regardless of a person's ethnic background, her music is adored by individuals from all walks of life.

Afghani musician Shama Ashna, who plays Middle Eastern Arabic folk music, just released several intriguing tracks. "Zar Watan Ta Rasha (2023)," her most recent CD, displays the musician's distinctive fusion of traditional Afghan music and contemporary production methods. The album has a variety of songs that perfectly express Afghan history and culture.

Shama Ashna has published a number of songs in addition to her most recent album, which are becoming more and more well-liked by her followers. The upbeat and spirited song "Tapay Tappay Tapaezy (2023)" contains Ashna's distinctive voice and engaging sounds. Other recent singles that highlight Ashna's flexibility as an artist include "Ta Ba Pagal Karhma (2022)" and "Ma kawa Nashe Khania (2022).

Another standout tune that demonstrates Ashna's aptitude for narrating tales via music is "Pa Telephone Kawi Pokhtana (2022). The song's heartfelt words and eerie music remain in the mind long after the song has ended. Overall, Shama Ashna's most recent output shows her dedication to safeguarding and advancing Afghan music and culture while also challenging the bounds of conventional genres.