Kian Soltani

Austrian cellist Kian Soltani is well-known for his outstanding performances in classical and chamber music. His passionate and heartfelt playing style demonstrates Soltani's brilliance. His most well-known compositions include "Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me," "Divertimento in B-Flat Major, K. 254: 1. Allegro assai," and "Ave Maria."

In his solo and group performances, where he has transformed various well-known songs, Soltani displays his extraordinary talent. A notable fan favorite is his performance of "Du bist die Ruh," in D. 776, for cello and piano. Fantasytucke, Op. 73: 1. Zart und mit Ausdruck" effectively highlights Soltani's emotive playing style, turning the song into a genuine masterpiece.

Music fans and journalists alike have praised Soltani's performances. The Pierre Boulez Saal is one of the largest music venues where he has performed. His adaptation of "4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato" has contributed to the exposure of his music. Soltani is currently regarded as one of the best performers in classical and chamber music thanks to his talent and commitment to his trade.

With his most recent recordings, the gifted cellist from Bregenz, Austria, Kian Soltani, is creating a stir in the classical and chamber music scenes. His most recent CD, "Cello Unlimited (2021)," mixes classical and modern music and displays his cello prowess. The record serves as evidence of Soltani's talent and range as a performer.

Soltani has recently released numerous singles in addition to his most recent album. Both "Schubert: Sei mir gegrusst, D. 741 (Transcr. for Cello and Piano) [Musical Moments] (2023)" and "Schubert: Im Abendrot, D. 799 (Transcr. for Cello and Piano) [Musical Moments] (2022)" are lovely transcriptions of Schubert's works that highlight Soltani's talent for bringing out the emotional richness and beauty of the music. The remarkable compositions "Intermezzo. A Scene from the Past (2021)" and "Jack Sparrow (From 'Pirates of the Caribbean') (2021)" show the breadth of Soltani's musical abilities.

Overall, Kian Soltani's most recent works are evidence of his prowess and talent as a chamber and classical musician. His ability to execute and interpret music from a variety of genres is very outstanding, and his most recent compositions are essential listening for lovers of classical and chamber music.

Kian Soltani is an accomplished classical and chamber musician from Bregenz, Austria. He has performed at many of the top festivals and venues all over the world. Among them, Soltani has appeared in the Schleswig-Holstein Musik event, a classical music event held in Northern Germany, as well as the Reeperbahn Festival, an annual festival held in Hamburg, Germany that features a variety of musical genres.

Additionally, Soltani has performed at some of the most illustrious venues in the world, such as the Pierre Boulez Saal in Berlin, the TivoliVredenburg in Utrecht, the Ministry of Sound in London, and Carnegie Hall in New York. Soltani shared the stage with the West-Eastern Divan Orchestra at Carnegie Hall. This ensemble was established by Edward Said and Daniel Barenboim to foster mutual respect and coexistence between Israelis and Palestinians.

In addition to these performances, Yo-Yo Ma, Anne-Sophie Mutter, and Zubin Mehta are just a few of the well-known conductors and musicians with whom Soltani has worked. Soltani is destined to make waves in the music industry for years to come with his virtuoso playing and passionate interpretations of classical and chamber music.

The Austrian cellist Kian Soltani has performed alongside a number of famous soloists and chamber artists. His work with Antonin Dvorak is among his most significant collaborations. Gypsy Melodies, Op. 55, and Four Romantic Pieces, Op. 75, both by Dvorak, were arranged by him for solo cello and cello ensemble. The works are performed by Soltani in a way that demonstrates both his technical prowess and his emotional range.

Franz Schubert and Aaron Pilsan are two more renowned composers with whom Soltani has worked. He performed Schubert's "Du bist die Ruh," D. 776, on the cello, and Pilsan performed it on the piano. The emotional weight of the tune is carried by Soltani's cello in their moving and lyrical performance.

Additionally, Soltani worked with Michael Barenboim, Daniel Barenboim, and Wolfgang Amadeus Mozart on the "Divertimento in B-Flat Major, K. 254: 1. Allegro assai." The cello of Soltani gives the composition depth and complexity, and the Barenboim brothers' piano and violin prowess enhance his performance.

Last but not least, Soltani worked with Aaron Pilsan, Robert Schumann, and others on "Myrthen, Op. 25 - Version For Cello and Piano: 24. You are like a bloom. Pilsan's piano plays a nice accompaniment to Soltani's sensitive and passionate cello playing.

Overall, Kian Soltani's associations with these accomplished musicians highlight his musical variety and prowess. His original reinterpretations give these timeless compositions new dimensions, making them both contemporary and timeless.